| Dhoom 2, which came out in November 24, 2006, | | | | finds himself a voluntary partner Sunehri |
| was such a big hit that it had a very successful | | | | (Aishwarya Rai) whom he later finds out that she |
| opening in India and overseas. In the US alone, it | | | | is sent to spy on him. She finds out later that she |
| had earned US$2,642,290 by early 2007. Dhoom | | | | has fallen for him in a typical Bollywood fashion |
| 2 is a hugely commercialised film which does not | | | | and joins hands with him after that. |
| have a proper story line, if it has any. Rather, the | | | | The star appeal of each actor has been |
| movie has spent much time and effort on all | | | | highlighted through their respective introductory |
| aspects of commercialisms in terms of the cast, | | | | scenes which may seem unnecessary to most |
| entertainment, glamour, songs etc. | | | | viewers. In fact, most of the scenes are |
| To some, having a good story or plot might be | | | | unnecessary but that is because story is not the |
| the most important thing to look out for in a film. | | | | focus of this movie at all. |
| Perhaps not too much of it should be expected, | | | | Screenplay: |
| since the purpose of a movie is meant to | | | | Fun and entertainment are primarily the main |
| entertain in various ways (acting, glamour, music, | | | | attention in this movie. This movie is taken in a |
| cinematography, video editing etc) apart from a | | | | rather commercially appealing way right from the |
| good storyline. If people were to keep expecting | | | | start till the very end. Probably this is where its |
| just good stories from movies, they might as well | | | | success is attributed to. |
| read a good novel instead. | | | | Eye candy supplied by Aishwarya Rai and Bipasha |
| Then again, the director should not have | | | | Basu are part of the fun factor which is simply |
| neglected the story so much to the extent that | | | | meant to divert the audience's attention from |
| critics come up with endless lists to highlight all the | | | | wondering what the story is about. |
| flaws which are so apparent throughout the | | | | Uday Chopra is the main entertainment factor as |
| movie. | | | | he does his comic antics to keep a smile on the |
| Story: | | | | audience's faces. |
| As mentioned before, the story is not really paid | | | | Cinematography: |
| attention to. A mysterious their, who calls himself | | | | Cinematography is awesome. Every robbery |
| Mr. A (Hrithik Roshan), goes literally around the | | | | scene is well taken care by the camera angles |
| world stealing priceless items in highly sophisticated | | | | and shots. |
| ways. The purpose of his behaviour is not | | | | Video Editing: |
| explained. A hot pursuit by an ACP, Assistant | | | | Video editing is quite well done, even though more |
| Commissioner of Police (played by Abhishek | | | | of it could be implemented since the movie is |
| Bachan), then follows and along the way, Mr. A | | | | done purely for entertainment. |